In-Depth Interview with James Marsters (Spike)

A.V. Club has a wonderful in-depth interview with James Marsters talking about his Buffy days with great thoughts on fandom and his days filming the show.

Here he talks about his favorite episodes which are also fan favorites: "The Body," "Tabula Rasa," and "Beneath You." I especially enjoyed this insight into "Beneath You," the scene of Spike on the cross in the church and how hard it was to get the right amount of "shame" into that scene because Spike had earned back his soul:

What is your personal favorite—and least favorite—Buffy episode?

JM: Oh, I’ve got so many favorites. One of them is “The Body,” because: Wow. So different than other episodes. Really proving that the show can be just a very serious drama occasionally. And I had a week off, which, when you’re doing 12 to 20 hours of 22 episodes—I’m not joking—having the week off is life-saving. “Tabula Rasa.” That’s just an awesome show. Loved that one. I have very fond memories of the first one I was in. That was just such an intense experience. I think the director committed career suicide. He got so excited by what was happening in the episode, and birthing this character with me, that he started adding shots. And he was blowing budget, and Gareth Davies came down and told him, “If you don’t rein it in, you are never coming back on this show.” And he came to me and he said, “Look, they just told me I’m never going to be on this show if I don’t rein it in. I’m not reining it in. I don’t care. This episode is going to be amazing. And I’m going to get so much work off it in other places. But I’m going to make this really cool.” And he really did. I think part of the reason the character broke out quickly is because that first episode was so tight, as far as how many shots he got.

James Marsters on Spike as Spock

Great insights as James Marsters compares the character Spike with Mr. Spock from Star Trek!

ET Online:

"In Buffy, I thought that I wanted to be the new Spock," he tells ET. "I was a little side character that no one really thought would be much, but I kind of turned the theme at a different angle so you could kind of look at it. …Spock was that side character that nobody thought would be much and he ended up kind of turning the theme on its head, ‘cause Star Trek really was about human beings perfecting a world view and then sharing it with the galaxy, and then Spock was just trying to figure out how to be human in the first place."

The now fifty-something star was just one of many sci-fi icons present at Creation Entertainment’s Grand Slam Convention: The Star Trek and Sci-Fi Summit in Burbank, CA, among other such notables as Sir Patrick Stewart, Jonathan Frakes, LeVar Burton, Brent Spiner, and many more.

. . . "In the world of Buffy, vampires were supposed to be ugly and very quickly dead. Joss used to say that he wasn't into the Anne Rice thing. He didn't want vampires to be romantic. That's why in Buffy when we bite people we become hideously ugly. Because in Buffy vampires are a metaphor for all the problems you face in adolescence. So, the vampires of today are very different. They're more in the Anne Rice vein. And that's cool too."

"I think every generation has their own take on vampires, and I think it's fabulous," he continued. "I think vampires, for some reason, they are the most malleable of all of the basic archetypes of horror. Like, wolfman has to be wolfman, has to be a good man or woman that's forced to do evil by the moon. If the wolfman is a jerk, it just doesn't work. Or, if the invisible man is not a jerk, it won't work. The reason the invisible man works is he's a real jerk and so the audience is terrified when he's invisible cause, what's he going to do now? If it's a really nice guy and he's invisible, who cares? But for some reason, vampires can almost be anything. You can use them to whatever ends that you want. Whatever the zeitgeist is in this decade, or whatever, vampires can morph to fit that."

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What does he think of Joss Whedon? (My transcript)

Joss is a true artist. I knew him when he was about to have a heart attack at all times. I asked him one time "It must be wonderful to wind up the universe and just see how it plays out." And he was like sweating, and like "Yeah, the problem is, I have to keep winding."
He was really killing himself to put the show out and basically do a 48 hour movie every week. And so, I got to see him under intense pressure. He's a genius so it's like, some days you'll get a huge amount of love, and some days you want to hide from him.